Pelvis Wrestley

Pelvis Wrestley

Genres: Baroque Pop, Indie Pop, Indie Rock, Synth Pop, Americana, Folk

FFO: Arcade Fire, Of Montreal, Prince, Magnetic Fields, New Pornographers, New Order, Perfume Genius

Pelvis Wrestley began in the Fall of 2018 and set out to adapt Violet’s synth pop background with the country music format to help redefine an American identity. Garnering immediate support from the local Austin scene, they were playing packed clubs and sold out rooms by the end of their first year. A supergroup of Austin talent, Violet tapped guitarist Santiago Dietche (daphne tune, Central Heat Exchange), drummer Sarah Schultz (Sun June), keyboardist Hannah McVay to start the redefinition.

Releasing their debut record, Vortexas Vorever, in the deep swamp of 2020 pandemic, their unique brand of western-infused synth music garnered attention at home and abroad. A short run of cassettes on Austin Town Hall Records led the charge, defining the debut with an air of scarcity that seemed to fit the disembodied sentiment of the year. NPR affiliate, KUTX, named the pop gem, “In Heaven,” song of the day in celebration of the release. Finding its legs, the record caught the attention of baroque pop royalty, Kishi Bashi, who called it “An electronic melody coaster ride through every 80’s classic flick you missed out on. Hints of Bruce Springsteen, The Shins, and The Cars. Best served now.”

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"ANDY, or: The Four Horsegirls of the Apocalypse– sees Violet embrace impermanence with open arms, putting the performer’s gift for queer world-building on full display. Their new release serves as a part-literal, part-fantastical reflection on loss, centered around the mythology of an all-consuming demigod named Andy."

- The Austin Chronicle